• Prehistory refers to the time before the existence of written language or recorded history. This era lacked books, documents, or any written records.
  • The prehistoric period in the early development of human beings is commonly known as the Old Stone Age or the Palaeolithic Age.
  • Initially, understanding how people lived during prehistoric times was challenging due to the absence of written records.
  • Scholars began to uncover insights into prehistoric life through excavations at ancient sites where prehistoric people lived.
  • Excavations yielded various artifacts such as old tools, pottery, human and animal bones, and remnants of habitats.
  • One of the significant discoveries was drawings on cave walls, providing valuable clues about prehistoric life and culture.
  • Scholars pieced together information gleaned from these artifacts and cave drawings to construct a coherent understanding of prehistoric times.
  • Through analysis and interpretation, scholars have been able to develop fairly accurate knowledge about the lifestyle, activities, and behaviors of prehistoric humans.
  • Once basic needs like food, water, clothing, and shelter were met, people felt the urge to express themselves.
  • Painting and drawing emerged as the oldest forms of art practiced by prehistoric humans. They utilized cave walls as their canvas to express themselves creatively.
  • The prehistoric paintings were generally executed on rocks and these rock engravings are called Petroglyphs.
  • Art served as a means for prehistoric humans to communicate, express ideas, record events, and possibly convey spiritual beliefs or rituals.

Prehistoric Rock Paintings 

  • Prehistoric paintings offer insights into early human beings’ lifestyles, food habits, and daily activities.
  • They provide valuable information about the thought processes and mentalities of ancient humans.
  • Remains from the prehistoric period, including rock weapons, tools, ceramics, and bones, serve as witnesses to the evolution of human civilization.
  • Among these remnants, rock paintings stand out as the most significant legacy left behind by primitive humans from this era.
  • The first discovery of rock paintings was made in India in 1867–68 by an archaeologist, Archibold Carlleyle.
  • Rock paintings found in cave sites across various districts: Madhya Pradesh, Uttar Pradesh, Andhra Pradesh, Karnataka, Bihar, and Uttarakhand’s Kumaon hills.
  • Notable site: River Suyal at Lakhudiyar, near Almora-Barechina road.
  • Lakhudiyar Rock Paintings:
    • Location: Along the banks of River Suyal, Lakhudiyar.
    • Categorization: Paintings classified into humans, animals, and geometric patterns.
    • Pigments Used: Predominantly white, black, and red ochre.
    • Depictions:
      • Human figures portrayed as simplistic stick-like forms.
      • Prominent animal motifs include long-snouted creatures, foxes, and multiple-legged lizards.
      • Geometric designs: wavy lines, filled rectangles, clusters of dots.
    • Intriguing Scenes: Hand-linked dancing human figures depicted.
  • Superimposed Paintings and Other Discoveries:
    • Evidence of superimposed paintings: black, red ochre, and white layers.
    • Reports of engraved slabs found in Kashmir.
    • Granite rocks in Karnataka and Andhra Pradesh used as canvases by Neolithic artists.
  • Prominent Rock Painting Sites:
    • Notable sites: Kupgallu, Piklihal, Tekkalkota.
    • Types of Paintings:
      • White compositions.
      • Red ochre over white backgrounds.
      • Solely red ochre compositions.
    • Periods Covered: Late historical, early historical, and Neolithic.
    • Subjects Depicted: Bulls, elephants, gazelles, stylized humans, tridents; vegetal motifs rare.
  • The pre historic paintings can be classified in three major phases:
    • Upper Paleolithic Paintings
    • Mesolithic Paintings
    • Chalcolithic Paintings

Upper Paleolithic Paintings (40,000–8000 BC)

  • In India the earliest paintings have been reported from the Upper Palaeolithic times.
  • Paintings during the Upper Palaeolithic phase primarily consist of linear representations using green and dark red pigments.
  • These artworks prominently feature colossal animal figures such as bisons, elephants, tigers, rhinos, and boars, alongside simplistic stick-like human figures.
  • While some paintings utilize wash techniques, the majority are characterized by intricate geometric patterns filling the compositions.
  • The green paintings often depict dancers, while the red ones portray hunters, creating a color-coded distinction between different themes and activities.
  • This distinction sheds light on the varied cultural practices and societal dynamics of the Upper Palaeolithic era.

Mesolithic Paintings (10,000-8,000 BC)

  • Mesolithic paintings, contains the largest number of artworks.
  • Despite the proliferation of themes, paintings are generally smaller in size during this period.
  • Hunting scenes dominate the Mesolithic paintings, portraying groups of people armed with barbed spears, pointed sticks, arrows, and bows.
  • Some depictions feature primitive men using traps and snares to catch animals.
  • Hunters are typically depicted wearing simple clothes and ornaments, occasionally adorned with elaborate head-dresses and masks.
  • Animals depicted include elephant, bison, tiger, boar, deer, antelope, leopard, panther, rhinoceros, fish, frog, lizard, squirrel, and birds.
  • Mesolithic artists display a strong affinity for painting animals, showing them both chasing and being chased by humans.
  • Some animal paintings, particularly in hunting scenes, convey a sense of fear, while others express tenderness and affection towards animals.
  • Animals are depicted in a naturalistic style, while humans are portrayed stylistically.
  • Women are depicted both nude and clothed, with representations of all age groups.
  • Children are often portrayed engaging in playful activities like running, jumping, and playing.
  • Community dances and scenes of people gathering food provide common themes.
  • Some paintings suggest a depiction of family life, with men, women, and children featured together.
  • Many rock-shelters contain hand prints, fist prints, and fingertip dots, possibly serving as signatures or symbols of communal identity.

Chalcolithic Paintings (2500-700 BC)

  • During this period, there was an increase in paintings utilizing green and yellow colors.
  • Notably, cave paintings at Narsinghgarh in Maharashtra depict the drying skins of spotted deer.
  • Paintings on seals from the Harappan civilization also date back to thousands of years ago, indicating early instances of visual art.
  • Predominant themes in Chalcolithic paintings include battle scenes, with depictions of men riding horses and elephants armed with bows and arrows, suggesting preparation for skirmishes.
  • Musical instruments like the harp are also depicted in some paintings.
  • Complex geometrical shapes such as spirals, rhomboids, and circles are present in certain artworks.
  • Chhattisgarh boasts a variety of caves containing paintings, including Udkuda, Garagodi, Khaperkheda, Gotitola, and Kulgaon, showcasing human figurines, animals, palm prints, and bullock carts.
  • Jogimara caves in the Ramgarh hills of Surguja district, Chhattisgarh, feature paintings predating Ajanta and Bagh Caves, dating back to around 1000 BCE.
  • Similar paintings are found in Ghodasar and Kohabaur rock art sites in Koriya district.
  • Chitwa Dongri in Durg district features paintings of a Chinese figure riding a donkey, dragons, and agricultural scenes, providing insight into ancient cultural exchanges and daily life.

Features of Prehistoric Rock Paintings 

  • Paint-Making Process:
    • Colors derived from grinding various rocks and minerals.
    • Red pigment obtained from haematite (geru in India), green from a green variety of chalcedony stone, and white possibly from limestone.
    • Rocks or minerals ground into powder, mixed with water, and sometimes thick or sticky substances like animal fat, gum, or resin from trees.
    • Brushes made from plant fibers.
    • Survival of colors attributed to chemical reactions of oxide present on rock surfaces.
  • Location and Context of Paintings:
    • Paintings found on walls and ceilings of rock shelters.
    • Some paintings discovered in shelters inhabited by people, while others in locations with potential religious significance.
    • Notably, some of the most beautiful paintings found high up or close to the ceilings of rock shelters, possibly for visibility from a distance.
  • Quality and Themes of Paintings:
    • Despite limitations like adverse working conditions and inadequate tools, paintings exhibit pictorial quality and charm.
    • Scenes depict the environment in which artists lived, with adventurous and joyous depictions of men and youthful, majestic animals.
    • Artists demonstrate a passion for storytelling, depicting dramatic struggles for survival between humans and animals.
    • Mastery in drawing individual animals evident in proportion and tonal effect realistically maintained.
    • Often, new paintings are painted over older ones, with some sites showing as many as 20 layers of paintings at places like Bhimbetka.

Bhimbetka Rock Paintings

  • Location:
    • It is located south of Bhopal in Vidhyan ranges of Madhya Pradesh with rock shelters having more than 500 rock paintings.
    • The caves of Bhimbetka were discovered in 1957–58 by V. S. Wakankar
    • It was declared a UNESCO World Heritage Site in 2003.
  • Timeline of Paintings:
    • Oldest paintings estimated to be 30,000 years old, located deep inside caves, ensuring their preservation.
    • Continuity in cave occupancy observed from 100,000 BC to 1000 AD, with many paintings layered on top of each other.
    • Some locations exhibit up to 20 layers of paintings, indicating repeated use over time.
    • Bhimbetka paintings span Upper Paleolithic, Mesolithic, Chalcolithic, early historic, and medieval periods, with Mesolithic paintings being the most prevalent.
  • Painting Techniques:
    • Various colors used, including red ochre, purple, brown, white, yellow, and green, obtained from natural resources.
    • Red color derived from haematite ores, white likely from limestone, and green from chalcedony.
    • Brushes crafted from plant fibers.
  • Themes of Paintings:
    • The themes of paintings found here are of great variety, ranging from mundane events of daily life in those times to sacred and royal images.
    • These include hunting, dancing, music, horse and elephant riders, animal fighting, honey collection, decoration of bodies, and other household scenes.
    • Animals such as elephants, bison, deer, peacocks, and snakes prominently featured.
    • Simple geometric designs and symbols also present in the artwork.
Rock Paintings In Bhimbetaka Caves
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